LudgerFan
Oct. 20, 2009, 12:35 PM
Perhaps we as trainers and instructors should present it to our students (and think of it ourselves) in this way:
Flat racing and high-school dressage (which includes the airs above the ground) are at opposite ends of the spectrum in terms of the balance required of the horse. Imagine this spectrum expressed in terms of a numbered scale, with 1 representing flat racing, and 10 representing high-school dressage. In racing, the horse's center of gravity is shifted as far forward as possible, freeing the hindquarters to the utmost to allow for the greatest and most efficient forward propulsion. Providing PROPULSIVE power is the sole function of the hindquarters in racing. The jockey's crouch is in perfect harmony with this forward balance of the horse. On the opposite end of the spectrum we find high-school dressage: think of a horse in the levade. In this case, the horse's center of gravity is shifted so far rearwards that the hindquarters cease to propel at all and are so engaged underneath the horse's mass that the weight of the forehand is lifted off the ground and supported only by the hind limbs. There is no forward motion of the horse at all in this case. The sole function of the hindquarters in levade is to support the entire mass of the horse: it is CARRYING power in the highest degree.
The various disciplines fall somewhere along that scale. A hunter might fall at a 2 on the scale when jumping low fences. As the jumps increase in size, however, he requires a less-forward center of gravity and might shift along the numerical scale of balance to a 3 or even 4. (Which is why we generally expect and allow a different carriage for a horse competing in the regular hunter division than we do a pre-green horse.) The balance of a grand prix jumper might vascillate from moment to moment on course as need requires: say, between 5 and 7 (except for the jump itself, which is clearly a case of 10 to 1). The grand prix dressage horse (because it still needs to maintain a certain amount of propulsion, especially for the extensions, but also a more extreme carrying power for piaffe, might vascillate from say 7 to 9.
My point: instead of thinking about our different disciplines as separate entities unto themselves, we should instead think of them as related, differing really only in the balance required of the horse at any given time. The upper body position we assume as therefore is an evolution which matches the balance required by the horse. (Which is why Caprilli's influence on jumping position was so fabulous!!)
Athleticism in a horse is merely defined as this: the ability of a horse to shift its center of gravity easily and quickly both forwards and rearwards (and upwards) at will. You can develop a horse and MUST (in order to make him more athletic) by using cross-training, training him in activities that challenge him at the end of the spectrum opposite that of where his natural balance lies. It is not uncommon in Europe to see galloping tracks built around dressage arenas. Imagine using dressage to improve a racehorse's performance out of the starting gate! (I think Michael Matz is on to this...but the fact that we don't see it frequently is more is condemning of the racing industry's tendency to exploit rather than to foster and develop...we must think about the implications and learn from it!) Hunters and jumpers as we know are best developed using dressage, and can also benefit greatly from occasional galloping, both mentally and physically.
That's just my two cents after reading the thread about hunters vs. low-level dressage...FWIW....
Flat racing and high-school dressage (which includes the airs above the ground) are at opposite ends of the spectrum in terms of the balance required of the horse. Imagine this spectrum expressed in terms of a numbered scale, with 1 representing flat racing, and 10 representing high-school dressage. In racing, the horse's center of gravity is shifted as far forward as possible, freeing the hindquarters to the utmost to allow for the greatest and most efficient forward propulsion. Providing PROPULSIVE power is the sole function of the hindquarters in racing. The jockey's crouch is in perfect harmony with this forward balance of the horse. On the opposite end of the spectrum we find high-school dressage: think of a horse in the levade. In this case, the horse's center of gravity is shifted so far rearwards that the hindquarters cease to propel at all and are so engaged underneath the horse's mass that the weight of the forehand is lifted off the ground and supported only by the hind limbs. There is no forward motion of the horse at all in this case. The sole function of the hindquarters in levade is to support the entire mass of the horse: it is CARRYING power in the highest degree.
The various disciplines fall somewhere along that scale. A hunter might fall at a 2 on the scale when jumping low fences. As the jumps increase in size, however, he requires a less-forward center of gravity and might shift along the numerical scale of balance to a 3 or even 4. (Which is why we generally expect and allow a different carriage for a horse competing in the regular hunter division than we do a pre-green horse.) The balance of a grand prix jumper might vascillate from moment to moment on course as need requires: say, between 5 and 7 (except for the jump itself, which is clearly a case of 10 to 1). The grand prix dressage horse (because it still needs to maintain a certain amount of propulsion, especially for the extensions, but also a more extreme carrying power for piaffe, might vascillate from say 7 to 9.
My point: instead of thinking about our different disciplines as separate entities unto themselves, we should instead think of them as related, differing really only in the balance required of the horse at any given time. The upper body position we assume as therefore is an evolution which matches the balance required by the horse. (Which is why Caprilli's influence on jumping position was so fabulous!!)
Athleticism in a horse is merely defined as this: the ability of a horse to shift its center of gravity easily and quickly both forwards and rearwards (and upwards) at will. You can develop a horse and MUST (in order to make him more athletic) by using cross-training, training him in activities that challenge him at the end of the spectrum opposite that of where his natural balance lies. It is not uncommon in Europe to see galloping tracks built around dressage arenas. Imagine using dressage to improve a racehorse's performance out of the starting gate! (I think Michael Matz is on to this...but the fact that we don't see it frequently is more is condemning of the racing industry's tendency to exploit rather than to foster and develop...we must think about the implications and learn from it!) Hunters and jumpers as we know are best developed using dressage, and can also benefit greatly from occasional galloping, both mentally and physically.
That's just my two cents after reading the thread about hunters vs. low-level dressage...FWIW....